Kate Bosworth And James Marsden Are Broken Down Into "Straw Dogs" Exclusive

Straw Dogs Sam Peckinpah is one of the grislier stories ever a movie. The moral of the film are gray, ugly and the characters he paints a visual palette that gritty westerns of director, which makes the real-world setting exponentially more disturbing. In other words, the film is in a league of its own.

So when Rod Lurie (The Contender TV commander in chief) announced that it would direct a remake, fans of the original 1971 was expected, confused and more than a little annoyed. Straw Dogs feel born of his time, a film that attacks the material in Hollywood not to touch with a ten foot pole, which would be a modern version brings to the table?

But it is' because I'm looking forward to the new incarnation. Straw Dogs seems untouchable, but I am endlessly fascinated by how the modern version would be interpreted by viewing violent Peckinpah. Remakes afford the opportunity, the most important players (in this case underestimated Kate Bosworth, James Marsden, and Alexander Skarsgard) to play the new games are familiar with a sandbox, because the director uses to illustrate the story of an older contemporary perspectives, and above all, develop a similar concept, that instead of ignoring the obvious comparisons, in front of them. If the installer seems to Straw Dogs, Straw Dogs call it ... Then shake it up and away.

I do not know what to expect from the new version of the film, but what is encouraging is that this new clip does not jump immediately into a brutal clash between a man and his wife (Marsden and Bosworth), the delinquent city that starts a problem for them (Skarsgard ). This taste of the film focuses on a moment of emotional tranquility with a Bosworth drop a bomb is not the husband wants to hear. Lurie allows an irritant to play out intimately. Sanding trade of fear in the eyes of Bosworth, which carry more weight and the horror of any amount of jump scares. Creepy.